“Mom, I want to buy the toy I saw on TV.”

Idea of Ecoding and Decoding


Introduction

Stuart Hall

 

In a common scenario, children watching cartoons are interrupted by a lively and interesting toy advertisement on TV. Many children, upon seeing such a captivating toy, often can’t resist urging their parents to buy it. In fact, this is a complete process of encoding and decoding. The concept of encoding and decoding was initially introduced by the renowned cultural studies scholar Stuart Hall. It can be understood as a framework for explaining the interactive process of media and cultural products, particularly in the roles of information transmission and reception. Next, let’s separately understand what Encoding and Decoding mean.

 

 


Encoding

Encoding refers to how media creators, content producers, or cultural creators create and construct various media products, as well as information and culture. In this process, there are diverse elements such as language, images, audio, text, or specific pieces of information. It involves integrating perspectives, values, and ideologies into a piece of content. This is the typical process of encoding.

For example, a food company wants to launch a new flavor of potato chips. So, the advertising agency begins encoding this information. They formulate the content of the advertisement, incorporating various elements. They use visually appealing scenes of the chip’s appearance, accompanied by elegant background music. They then feature a well-known celebrity in the video, praising the chips. A carefully designed encoding result is thus created. Their goal is clear: to convey to the audience that these chips are delicious, innovative, and leave a memorable taste.


Decoding

How the audience interprets and understands the encoded information expressed by the creators is the decoding process. Similarly, in the decoding process, the audience incorporates their own culture and values. Stuart Hall emphasized the agency of the audience, recognizing that viewers are not passive in understanding information but actively engage in analysis through their own perspectives.


Reference

adrian @coder.today, A.B.G. (n.d.). Encoding in Web Development. Why? How? URL, JSON , Base64 & beyond. [online] coder.today. Available at: https://coder.today/tech/2017-10-20_encoding-in-web-development.-why-how-url-json-base64-beyond/.

dinosossi (2018). Translating Media Messages–Stuart Hall’s Encoding/Decoding. [online] dino sossi. Available at: https://dinosossi.wordpress.com/2018/04/01/translating-media-messages-stuart-halls-encoding-decoding/.

Hsu, H. (2017). Stuart Hall and the Rise of Cultural Studies. [online] The New Yorker. Available at: https://www.newyorker.com/books/page-turner/stuart-hall-and-the-rise-of-cultural-studies.

Meenakshi Gigi Durham and Kellner, D. (2006). Media and cultural studies. Oxford: Blackwell Publishing

Think with Google. (n.d.). New Google research: Decoding consumer decision-making. [online] Available at: https://www.thinkwithgoogle.com/intl/en-emea/consumer-insights/consumer-journey/the-consumer-decision-making-process/ [Accessed 20 Nov. 2023].

www.ica.art. (n.d.). ICA | Stuart Hall in the here and now. [online] Available at: https://www.ica.art/learning/stuart-hall-in-the-here-and-now.

4 thoughts on ““Mom, I want to buy the toy I saw on TV.”

  1. That’s great! Your title is very catchy! It makes people can’t help but read your post. The example you quote at the beginning of your post is so common but so hard to remember that it resonates strongly with people who read it unintentionally. In addition to this, you have given a very visual example of the theory, which makes it easy to understand. Do you think Hall’s theory is perfect? If the encoder force-feeds the idea and spreads it widely, does it lead to a distortion of the facts to some extent, despite the fact that the decoder can be subjective? I think Hall sees the position of power between the transmitter and the receiver, the position of the transmitter in society, and the position of power of the structure of meaning and dominant structure of the transmitted symbols, and their position in the culture as a whole, and so I think he ignores the act of reproduction by the decoder.

  2. Stuart Hall’s encoding and decoding theory is skillfully introduced in this article, along with a succinct and understandable explanation of how it can be applied to media and cultural studies. The author skillfully demonstrates how encoding functions in media production using the example of a toy advertisement, giving readers a concrete and relatable understanding of the idea. An in-depth analysis of a food company’s advertising campaign clarifies the encoding process even more by showing how different components—such as images, music, and celebrity endorsements—are combined to create a message. Particularly enlightening is the examination of the decoding process, in which the audience interprets and comprehends the message in light of their own cultural background and values. This emphasises the audience’s active participation in media consumption, which is consistent with Hall’s focus on viewer agency. The paper does a good job of demystifying a theoretical idea so that a wider audience can understand it. It challenges readers to consider the media they consume and the underlying mechanisms involved in the transmission and reception of messages critically. All things considered, the work is a great introduction to encoding and decoding, providing insightful information about how audiences and media producers interact to shape cultural narratives.

  3. First of all, your title is interesting. In this blog, you have introduced coding and decoding in detail, which is the topic of your speech, and I think you must have a deep understanding of Hall’s theory. You use a scene to vividly explain the principles of encoding and decoding, the process of interaction between media and cultural products. But will encoding and decoding have any adverse effects on the public in the new media era?

  4. The blog post effectively elucidates Stuart Hall’s concept of encoding and decoding, especially in the context of advertising’s impact on children. It’s insightful in demonstrating how media messages are constructed and interpreted, underscoring the powerful influence of advertising on young minds. The use of a relatable example, such as a child desiring a toy seen in a TV ad, aptly illustrates the practical application of these concepts. Additionally, the post serves as a valuable reminder of the critical role parents play in helping children navigate and interpret media messages. Overall, the blog provides a thought-provoking perspective on the intersection of media studies, consumer behavior, and child psychology.

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